The Alchemy of Happiness in Noordin Hassan's "Tonight, The Turtles Cry"

(Alkimia Kebahagiaan dalam "Malam Ini Penyu Menangis" Karya Noordin Hassan)

  • Aimillia Mohd Ramli International Islamic University Malaysia

Abstract

Current interest in the nature of happiness has made it a new focal point in the study of literature. While in the West it has been analysed in relation to the dramatic form of tragedy, there has been no corresponding research on it within the context of Islamic theatre. As the founder of teater fitrah, an Islamic brand of theatre, Noordin Hassan and his plays could prove to be fertile grounds from which the issue of happiness could be explored. Hence, this paper aims to discuss Noordin's play, "Tonight, the Turtles Cry" (1994), from an Islamic conceptual framework for happiness as derived from two philosophers, al-Ghazali and al-Attas. Al-Ghazali's The Alchemy of Happiness (1910) and Ihya' 'Ulum-id-Din (1982) as well as al-Attas' "The Meaning and Experience of Happiness" (2014) provide the main theoretical texts from which this framework is taken. Elements of this framework consists of the following: knowing oneself, knowing Allah SWT, knowing this world, which includes ways on building and developing one's relationship with one's family and community, having an appreciation for nature and, finally, having a strong conviction in the hereafter. The analysis used is through close reading of the text. The findings of this paper show significant aspects of Noordin's play as reflecting these components of happiness and showcasing values that are needed to sustain the wellbeing of a person.


Keywords: Happiness, Noordin Hassan, al-Ghazali, al-Attas, Islamic theatre

Author Biography

Aimillia Mohd Ramli, International Islamic University Malaysia
Department of English Language and Literature, Kulliyyah of Islamic Revealed Knowledge and Human Sciences, International Islamic University Malaysia

References

al-Attas, S.M.N. (2014). The Meaning and Experience of Happiness in Islam. Prolegomena to the Metaphysics of Islam. Johor Bharu, Malaysia: Universiti Teknologi Malaysia Press.

al-Ghazali. (1982). Ihyā' 'Ulūm-id-Dīn (Vol. 2 and Vol. 4). (Maulana Fazul-Ul- Karim, Trans.). Lahore, Pakistan: Masud Sarwar Sind Sagar Academy Lahore.

al-Ghazali. (1910). The Alchemy of Happiness. (Claud Field, Trans.). Originally published as Kimiya el-Saadat.

Biografi Noordin Hassan. (2011). [Blog]. http://mimbarkata.blogspot. com/2013/04/biografi-noordin-hassan.html. Retrieved 4 August 2019.

Krishen Jit. (1984). Toward an Islamic Theatre for Malaysia: Noordin Hassan and Don't Kill the Butterflies. Asian Theatre Journal, 1: 2 (Autumn, 1984), 127-146.

Md. Salleh Yappar. (2005). Negotiating Identity in Malaysia: Multi-Cultural Society, Islam, Theatre and Tourism. Asian Journal of Social Science: Special Focus: Islam between Holism and Secularism, 33(3), 473-485.

Noordin Hassan. ( February, 1995). Malam Ini/ Penyu Menangis. Dewan Sastera 38-44.

Noordin Hassan. (2009). The Frankincense: Selected Plays (Malim Ghozali &

Mohd Bahadun, Trans.). Kuala Lumpur: Institute Terjemahan Negara Malaysia (ITBM).

Noordin Hassan. (2002). Teater Fitrah dan Esei Pilihan. Dewan Bahasa dan Pustaka.

Rohani Yusoff. (2015). Administrative Ethics in Noordin Hassan's Sirih Bertepuk Pinang Menari and Mana Setangginya? Malay Literature, 28 (2).

Rohani Yusoff. (2016). Principles of Unity in Noordin Hassan's 1400. Malay Literature, 29(2), 183-206.

Sharif Putera. (Mei, 2010). J.M.Aziz yang Kukenal. Dewan Sastera, 36-39.

Solehah Ishak. (2005). Religion in Theater: Sacred and Profane in Staging Eastern Voices. National Arts Academy, pp. 49-82.
Published
2020-06-09
How to Cite
MOHD RAMLI, Aimillia. The Alchemy of Happiness in Noordin Hassan's "Tonight, The Turtles Cry". Malay Literature, [S.l.], v. 33, n. 1, p. 83-98, june 2020. ISSN 2682-8030. Available at: <https://jurnal.dbp.my/index.php/MalayLiterature/article/view/7927>. Date accessed: 22 dec. 2024. doi: https://doi.org/10.37052/ml.33(1)no5.