Survival of Makyung in Kelantan: The Challenge under the Federal Centric Environment
(Kelangsungan Makyung di Kelantan: Cabaran di Bawah Pentadbiran Negeri)
Abstract
Makyung is one of the many traditional performances from the Malaysian region that has shaped the Malay national cultural identity. It has been recognized as one of the Masterpieces of the Oral and Intangibles of Humanity in 2001 as well as part of intangible cultural heritage having significant cultural values propounded by the UNESCO International Convention for the Safeguarding of Intangible Cultural Heritage of 2003 (ICH Convention). However, the State of Kelantan had enacted the Entertainment Control and Places of Entertainment Enactment (1998) (KECE 1998) that clearly prohibits any entertainment containing prohibited elements according to Islamic principles. Currently, the performance of makyung was allowed with certain modifications but recently, there is an intention by the state government of Kelantan to prohibit Makyung totally. It is to be noted that there are overlapping powers between the Federal and the State jurisdictions with regard to the safeguarding of makyung. At federal level, the National Heritage Act 2005 (the NHA) is the existing law in Malaysia for the safeguarding of intangible cultural heritage inspired by the establishment of the ICH Convention. However, the NHA is a general law that is inadequate at giving comprehensive protection to makyung since heritage matter falls under the Concurrent List of the Ninth Schedule of the Federal Constitution where the State also has the legislative power to make law with regard to the same. In order to address this conflict, there is a need to examine the provisions in the Federal Constitutions, the NHA, KECE 1998 and evaluate to what extent these laws safeguard the performance of makyung. This study examines the conflicts in powers between both Federal and the State Legislations which powers are guaranteed by the Constitution. This study uses the qualitative research method, where a doctrinal research is conducted. This paper contends that, both powers must come to a compromise and meet halfway for the preservation of the heritage.
Keywords: Makyung, federal, state, intangible cultural heritage, law
References
Cang, Voltaire Garces. (2007). Defining Intangible Cultural Heritage and Its Stakeholders: The Case of Japan. International Journal of Intangible Heritage, 2, 45-56.
Farok Zakaria. (2011). Khatijah Awang dan Seri Temenggong: Satu Kajian Kes terhadap Keusahawanan Seni. UMK Prints. Accessed on 31.5.2017, retrieved from http://umkeprints.umk.edu.my/id/eprint/186
Federal Constitution of Malaysia.
Foley, K. Wayang Kelantan: Between Intangible Cultural Heritage And Islam. the ICtM Study Group on perforMInG ArtS of SoutheASt ASIA, 188.
Haque, M. S. (2003). The Role of the State in Managing Ethnic Tensions in Malaysia: A Critical Discourse. American Behavioral Scientist, 47(3), 240-266.
Lixinski, Lucas. (2003). Intangible Cultural Heritage in International Law. OUP Oxford.
Madiha Ramlan & Mohammad Abdul Quayum. (2010). Mapping the History of Malaysian theatre: an interview with Ghulam-Sarwar Yousof. Asiatic, 4(2), 155-168.
Nurulhuda Adabiah Mustafa & Nuraisyah Chua Abdullah. (2003). Preservation of Cultural Heritage in Malaysia: An Insight of the National Heritage Act 2005. Building The Future of Tourism, 407.
Nasuruddin, M.G. (1986). Kesenian dan Drama Teater dalam Perspektif Tamadun Melayu.Persidangan Antarabangsa Mengenai Tamadun Melayu, Kuala Lumpur.
Nasuruddin, M.G. (1989). Bentuk dan Struktur Teater Melayu Tradisi dan Kesinambungannya Teater Sezaman Kini. Persidangan Antarabangsa Tamadun Melayu (2nd: 15-20 Aug 1989: Kuala Lumpur).
Nasuruddin, M.G. (2009). Teater Tradisional Melayu. Dewan Bahasa dan Pustaka:Kuala Lumpur.
National Heritage Act 2005 (Act no. 645).
Shafii, A.S.H. (2009, July). Management of Commercial Makyung Kelantan. 18th Biennial New Zealand Asian Studies Society International Conference, 6-8 July 2009, Victoria University of Wellington, Wellington, New Zealand. (Unpublished)
Sheppard, Mubin. (1969a). M' Yong, The Malay Dance Drama. International Conference on Traditional Drama and Music Of Southeast Asia (27-30 Aug 1969: Kuala Lumpur).
Sheppard, Mubin. (1969b). Ma'Yong, the Malay Dance Drama. Malaysian Society for Asian Studies.
State General Circular No. 4, Year 2003 Guidelines on Entertainment Control of 2003.
Utusan Malaysia. "Bajet Kekang Survival Makyung." (2010). Accessed on 19.03.2017 10.58am, retrieved from http://ddms.usim.edu.my:80/jspui/handle/123456789/3698.
Yousof, Ghulam Sarwar. (1976). The Kelantan Mak Yong Dance Theatre: A Study of Performance Structure (Unpublished PhD Thesis). University of Hawai'i at Manoa.
Yousof, Ghulam Sarwar. (2017). The Mak Yong Dance Theatre as Spiritual Heritage: Some Insights. SPAFA Journal, 1(1), 1-9.
Yousof, Ghulam Sarwar. (2013). Issues in Traditional Malaysian Culture. Trafford Publishing.
Yusoff, M.A. (2001). The Politics of Malaysian Federalism: The Case Of Kelantan. Jebat: Malaysian Journal of History, Politics and Strategic Studies, 28, 1-24.