The Shaping of Malaysian Abstract Expressionist Art within the Context of Malaysian Modern Art (1950s-1970s)
Abstract
Abstract Expressionism is an art form that began in the West and later gained influence in the East. In the years after World War II, Abstract Expressionism became the catalyst in the transition of modern art in Asia. In Malaysia, with the advocacy of Abstract Expressionism and the spirit of Expressionism, abstract art became mainstream in the art scene since the 1950s. Abstract Expressionism from two different worlds—America and/or Europe and Malaysia—is different, especially in terms of the artists’ respective approach and creativity. This article discusses how the evolution of abstraction works through the artworks produced by Syed Ahmad Jamal, Yeoh Jin Leng, Latiff Mohidin, and Chew Teng Beng. This is followed by a discussion on the diversity of abstraction forms in Malaysian Abstract Expressionist art through the study of works by the aforementioned artists.
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3. Guillermo, A. G. (1993). The institutions of the modern art world in the Philippines. In Clark, J. (Ed), Modernity in Asian art. Wild Peony Pty Ltd.Hagedorn, K. (2023). Symbolic abstraction. Highbrown Magazine. Retrieved (https://www.highbrowmagazine.com/symbolic-abstraction#:~:text=%22Symbolic Abstraction%22 was the term,colors%2C forms%2C and shapes.).
4. Joseph, B. W. (2003). Random order. The MIT PREss, England.Kim, Youngna, (1993). Modern Korean painting and sculpture. In Modernity in Asian Art, edited by John Clark. Wild Peony Pty Ltd.
5. Kleiner, F. S. (2009). Gardner’s art through the ages. Thomson Wadsworth.
6. Lai Chee Kien, Pauline Fan & Simon Soon. (2017). Gerak rupa ubur penyataan 1957-1973. In Jospeh, R. (Ed.). IB Tower Gallery sdn Bhd.Lucie-smith, E. (1984). Abstract expressionism. In Movements in art since 1945. Thames and Hudson Ltd.
7. Michaelsen, H. (1993). State building and Thai painting and sculpture in the 1930s and 1940s. Clark, J. (Ed.), Modernity in Asian art. Wild Peony Pty Ltd.
8. Moffat, C. (2008). Abstract expressionism – in search of nothingness. In The Art History Archive. Retrieved (http://www.arthistoryarchive.com/arthistory/abstractexpressionism/).
9. Niranjan Rajah. (2002). Bara hati bahang jiwa. Balai Seni Lukis Negara.
10. NVAG. (2012). 60 tahun Latiff Mohidin retrospektif. National Visual Art Gallery (NVAG)
11. Ocvirk, Otto G., Robert E.Stinson, Philip R.Wigg, Robert O.Bone, & David L. Cayton.(2009). Abstraction. In Art fundamentals, theory and practice. McGraw-Hill.
12. PSAG. (1998). “Rev.” Pp. 21–23 in Dr. Chew Teng Beng: A retrospective: 45 years of selected works. Penang State Art Gallery (PSAG).
13. Rose, Barbara. (1975). American art since 1900. Thames and Hudson.
14. Safrizal Shahir. 2012. Abstract themes and approaches in Malaysian modern art. In Imaging identities volume 1. RogueArt.
15. Sarena Abdullah. (2013). Contextualizing abstraction and abstract expressionist art in Malaysia. 5th International Conference on Southeast Asia (ICONSEA 2013).
16. Sarena Abdullah. (2018). Malaysian art scene The 1990s postmodern situation. Dewan
Bahasa dan Pustaka.
17. Soon, S. (2017). Notes on GRUP. In Joseph, R.(Ed.), Gerak rupa ubur penyataan 1957-1973. IB Tower Gallery Sdn Bhd.
18. Smith, Liam. (2011). Zen Buddhism and mid-century American art. University of Stony Brook University.
19. Syed Ahmad Jamal. (1982). Seni lukis Malaysia-25 Tahun. Balai Seni Lukis Negara.
20. Syed Ahmad Jamal. (1999). Kunang-kunang, kenang-kenangan Syed Ahmad Jamal Seniman
Negara. Dewan Bahasa dan Pustaka.
21. T. K. Sabapathy. (1994). Pago-Pago to Mindscape. In Pago-Pago to Gelombang, 40 Yearsof Latiff Mohidn. Singapore Art Museum.
22. T. K. Sabapathy. (1995). Yeoh Jin Leng, art and thoughts 1952-1995. National Art Gallery.
23. T. K. Sabapathy & Redza Piyadasa. (1983). Modern artists of Malaysia. Dewan Bahasa dan Pustaka.
24. Tan Chee Khuan. (2015). 310 Malaysian artists. The Art Gallery.
25. The Unreal Deal. (2017). The Unreal Deal: Six Decades of Malaysian Abstract Art. Retrieved (https://museum.bnm.gov.my/TUD/).
26. Tiampo, M. (2011). Cultural Mercantilism: Modernism’s means of production: The Gutai Group as case study. In Harris, J. (Ed.), Globalization and contemporary art. Wiley-Blackwell.
27. Yeoh Jin Leng. (1995). American experiences: Malaysian images - A review. In Yeoh Jin Leng, art and thoughts 1952-1995. National Art Gallery.
28. Yeoh Jin Leng. (1996). Malaysian art today. In Yeoh Jin Leng, art and thoughts 1952-1995. National Art Gallery.
29. Zakaria Ali. (1998). The art of Chew Teng Beng. In Dr. Chew Teng Beng: A retrospective : 45 years of selected works. Penang State Art Gallery (PSAG).
30. ZATISTA. (2023). What is organic abstract art. ZATISTA. Retrieved (https://www.zatista.com/art/blog/2023/01/what-is-organic-abstract-art/).
Published
2023-12-27
How to Cite
ABDULLAH, Sarena; SOW YENG, Chow.
The Shaping of Malaysian Abstract Expressionist Art within the Context of Malaysian Modern Art (1950s-1970s).
Melayu: Jurnal Antarabangsa Dunia Melayu, [S.l.], v. 17, n. 1, p. 57-84, dec. 2023.
ISSN 2682-8049.
Available at: <https://jurnal.dbp.my/index.php/Melayu/article/view/8750>. Date accessed: 22 dec. 2024.
doi: https://doi.org/10.37052/jm.17(1)no3.
Section
Articles
